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Brooks Roddan

Joe Goode

Soft Cover
38 pages



Joe Goode's brilliant at-one-with-the-place black and white photos, taken when he lived near Springville, California on the western side of the Sierras, and Brooks Roddan's meditative response, a narrative interspersed among Goode's images as a tree might find its place in the forest. Signed and numbered.


Michael Hannon

Soft Cover
54 pages

May, 2002



Hannon does in poem after poem, trust oblivion that is, with the slenderest of reeds. His work has been widely published in journals and anthologies. He is the author of three full-length collections: Poems & Days (1985), Ordinary Messengers (1991), and Trusting Oblivion (2002). Kenneth Rexroth said of Hannon's work, "A very good poet indeed, and certainly one of the few Tantric writers in any language who is both profound and witty."


Bill Mohr is an associate professor in the Department of English at California State University, Long Beach. His creative and critical writing has appeared in dozens of magazines, including Antioch Review, Blue Mesa Review, Caliban Online, Chicago Review, Santa Monica Review, Sonora Review, Spot Literary Magazine, William Carlos Williams Review, ZYZZYVA, and 5 AM. As editor of Momentum Press from 1974 to 1988, he received four grants from the National Endowment for the Arts and published two major anthologies of Southern California poets. His book and audio recording collections include Hidden Proofs, Vehemence, and Bittersweet Kaleidoscope. His literary history of the Los Angeles poetry scenes in the second half of the 20th century, “Hold-Outs: The Los Angeles Poetry Renaissance 1948-1992,” will be published by the University of Iowa Press in December, 2011. 


Out of Print, no longer available






Bittersweet Kaleidoscope 

The narrative marries the lyrical in this frisky book of poems by the legendary founder of Momentum Press, chronicler of LA’s alt-lit history, and beloved professor at CSULB. If sincerity is the enemy of style, Bill Mohr is a master.